There’s just something magical about the sight of one of the world’s greatest athletes – Tiger Woods – working his magic before the looming presence of curling’s greatest natural landmark.

(Click on the Associated Press photo by Jon Super to magnify the reverence)

Golf’s British Open – or simply The Open Championship – has returned to the Ailsa Craig course at Turnberry after an absence of 17 years.

As a result, everyone in the high-profile golf world are stumbling over each other to lay breathless praise on the Ailsa Craig itself, the monolith of volcanic rock which sits some 12 miles out in the Irish Sea and thus provides glorious background imagery for fellows like Tiger.

A preview story earlier this week by Associated Press writer Paul Newberry summed up the importance of the reverent Ailsa Craig to our sport, curling:

On a sunny day – and that’s how the weather broke around lunchtime – the hill provides the best spot to gaze on the Ailsa Craig, a massive island of rock in the Firth of Clyde that measures two miles around, rises 1,129 feet above the sea and is best known these days for its role in a decidedly different sport – curling.

“Someone was telling me that every curling stone in the world comes from that island,” Geoff Ogilvy said. “That’s got to be a myth.”

Not really. The isle’s unique granite is believed to provide the best material for carving out the stones used by the sweepers on ice. Since curling became a Winter Olympic sport in 1998, every stone got its start on the Ailsa Craig.

Well, actually… as most curling fans know, the Ailsa Craig is the legendary source, but newer quarries in Wales and Finland are providing the curling world with more options, as the Craig supply is gradually depleted.

And we would probably change that last line to read “Since curling became a Winter Olympic sport in 1998, not every stone got its start on the Ailsa Craig.” Anyone agree or disagree?

To sum up all things Ailsa Craig, we suggest the following links:

• the “official” story from Wikipedia

• a cool story from Times writer Lynn Truss

• Kays of Scotland, the official stone manufacturers

• another outfit, offering Craig jewelry and curling collectables

• the hotel in Edinburgh

• the indie rock band from Leeds

• the unknown Canadian village in southwestern Ontario

• the sociology professor in Newfoundland, Canada

And finally, USA Curling is auctioning off an authentic Ailsa Craig curling stone that will be autographed by the 2010 U.S. Olympic and Paralympic curling team members. To bid on this one-of-a-kind item, search for “Team USA Autographed Curling Stone” on eBay… or just click here.

Anything else for a Friday?

• A reminder of today’s Rockin’ The Gold curling fundraiser in Toronto, which we told you about here. Looks like blogTO has a promo writeup, too …

• Were the Canadians a wee bit too intense at the recent Tropicurl summer spiel in Pittsburgh?

• Curling in Corner Brook, Newfoundland may be wiped out this coming season …

• And finally… is this what the kids are doing these days?

“I’ve seen the game evolve,” says Morris. “The old stereotypes about curlers just aren’t true anymore. If you look at the top players, nearly all of them are very fit athletes with Olympic aspirations who devote a great deal of time to physical conditioning.”

Morris points out that high-performance curlers aren’t the only ones who can benefit from the sport-specific training offered in the book.

“The book is written so that curlers of all levels can follow a program that suits them,” says JoMo. “Even the recreational player who curls once or twice a week and competes in a couple of bonspiels will enjoy the game more by working out just a few hours a week. They’ll be able to contribute more when they compete and feel better about their overall level of fitness.”

Filled with color photography of many of the world’s top players – the pics are supplied by CurlingZone’s Dallas Bittle, SWEEP! chief Jim Henderson and, of course, Anil Mungal of this here The Curling News – the book details the physical demands of the sport and offers three levels of training programs – with calendars – to “make it easy for people to incorporate a fitness routine into their life. Even the typical curler who juggles family, career and the sport can find time for the workouts – many can be completed in less than an hour.”

Morris, who also skipped teams to world junior titles in 1998 and 1999, also suggests that “Whether you’re delivering a stone or sweeping from end to end, curling places unique demands on the body. It only makes sense to follow a training program that will help you feel fresh and perform better on the ice.”

Morris wrote the book with Dean Gemmell, who played lead for Quebec in the 1988 Brier and now produces a popular podcast called The Curling Show from his home in Short Hills, New Jersey. A side benefit of working on the book, remarks Gemmell, is that “I’m a more fit curler at 42 than I was at 20.”

Gemmell also notes that one dollar from the sale of every book in Canada will be given to the Canadian Curling Association to support junior curling programs throughout the country.

“John believes strongly in the value of curling in the life of a young person,” says Gemmell. We hope that this might help introduce a few more kids to the sport or keep them playing.”

Fit to Curl is available for purchase as of now through the official website and in curling pro shops. Shipping commences on September 8.

The website offers a 17-page preview download, which includes the table of contents and some fine pics, including one classic from 1993. Yes, John, Sav’s hair is worse than yours.

Rejecta Mathematica publishes two types of papers: research articles and correspondences. The screening process for publishing research articles in Rejecta Mathematica includes no technical peer review (hence the slogan Caveat Emptor); rather, papers are selected on the basis of their potential interest to researchers in the mathematical sciences.

Other Rejecta journals may follow (in disciplines outside the mathematical sciences). Please contact us if you are interested in starting your own Rejecta franchise.

An exclusive online excerpt of that story follows… in a bit.

The show tells the tale of five women trying to stay afloat amidst the chaos of life: demanding children, high-maintenance husbands, mortgages that keep them awake at night, uninspiring jobs, and all the challenges that come from being a wife, a mother and more significantly, a woman.

And all is forgotten, all is left behind, when they meet weekly at the West Kildonan Curling Club in Winnipeg.

The show uses the principles of curling as a metaphor for life. Patti (played by Academy Award winner Patty Duke) believes that all the lessons, rules and wisdom you need in life, you can learn from curling. Every episode begins with Patti philosophizing about one aspect of curling. It is this principle of curling and its larger application to life that is explored in each episode.

Throwing Stones was an original pilot developed and produced for the CBC. We heard earlier this spring that CBC had turned down the show, due to both the economy and new programming guidelines. This, of course, totally sucks.

But it also means that the pilot will be airing on July 15 – this Wednesday – with very little publicity or promotion. As such, the show producers are asking curlers to tune in on July 15 and, if you like the show, send your feedback (ie. your righteous anger) directly to CBC via this webpage.

So do tune in. Meanwhile, here’s an excerpt or two from Jill Officer’s behind-the-scenes column back in November… which you would have received, along with the photo above (taken by Joey Isford) if you had subscribed to The Curling News …

Patti Duke, the Hail Mary and 21 bucks an hour

This was my first experience as an actress – no wonder it’s called acting; you’re not really doing anything, at least for the “extras” on set, which is where I fit in. A curling-themed pilot for a CBC TV series was being shot on location at West Kildonan Curling Club in Winnipeg. The rink was turned into a film set in September when film producers took over the building, painted some touch-ups and set up shop for three days of shooting Throwing Stones – a series with a very Men with Brooms feel to it (ie. a little unrealistic).

The series stars Oscar winner and three-time Emmy Award winner Anna Marie “Patty” Duke. Well, she at least *edited to prevent spoilers* until she *edited to prevent spoilers* which I know my editor would want me to point out *edited to prevent spoilers* and was very similar to *edited to prevent spoilers* the Scotties in 2005 – and then *edited to prevent spoilers*.

Weeks before the shoot, an email circulated by a local casting company (and editor gk) was asking for female curlers between the ages of 20 and 60 to bring their skills to the set as background curlers. Given that the pay started at $21 an hour (overtime was more) I thought, hey, why not? That way I could throw a few rocks, see what this was all about and, of course, have something to write about for The Curling News.

The call time for us “skilled” workers was about 9:00am. I showed up to find a number of my fellow local competitors – Chelsea Carey, Kaleigh Strath, Cheri-Ann Loder, Jill Proctor – and many more. For some of the younger girls like Kaleigh, it was a chance to change their status as a starving student – for a couple of weeks anyway – and make a few hundred bucks in a day even though they had to skip class to do it. Can you blame them? Heck no!

As extras, even we had to go through wardrobe, make-up and hair. Wardrobe was a challenge. We were asked to bring clothing with no logos and we couldn’t bring anything black, white or red. That was a problem for me as it would be for many competitive curlers who have sponsor logos plastered all over their curling gear and the stuff that doesn’t have logos consists of the popular colours of… black, white or red.

I raided my closets of sweatshirts, curling clothes, etc, but I couldn’t find anything that fit the rules. The only logo that was approved was Asham, but even then my Asham sweatshirts were red and black. Ugh! I eventually had to raid mom’s closet where I found a plain pink sweatshirt that ended up being my wardrobe of choice by the pros.

After pretending to talk to someone, doing monotonous tasks in the background, faking yelling “hurry” while my pretend teammates avoided the huge lighting equipment that covered half of our sheet, playing cards in the downtime and then basically being on the ice for five hours straight not really doing anything – including never throwing a rock – it was time to call it a wrap for the day, some 14 hours later!

We think actors and other entertainers live the good life, but getting a taste of what it’s like to be on a film set has proven to me that it’s not all that easy. Granted we didn’t get the golden treatment, like our own trailer nor a bed to rest our head on, but having to “hang around” all day is, believe it or not, absolutely exhausting. By 11:00pm my legs were stiff, my back ached and the sound of “that’s a wrap” was enough to make me peel right out of there despite the discomfort I was feeling.

Imagine that, huh? I could write the headline for gk right now: “Elite athlete isn’t even in good enough shape to stand around for 14 hours.”

Really though, I would challenge any high-performance athlete – from any sport – to stand in the cold for hours on end, dressed for a regular curling game, but not doing any throwing or sweeping. Somehow I think anyone would feel the same way.

I wonder how Connie Laliberte fared: as the “consultant” helping out the production crew, she was there longer than anyone, but at least she had things to do… including setting up. And I think about that Men With Brooms flick, too… amazing to think that nearly a hundred of my fellow competitors went through something similar, some of them for multiple days. My “extra” sources tell me that for those who returned to filming over the next two days – I could not – also spent 12 to 14 hours on set… including one night which finally wrapped at 4:00am! OMG!

I was so exhausted after the first day I was actually thankful I didn’t return to the miming, standing around in the cold and passing time.

I was, however, thankful for the $350 cheque that arrived in the mail a few weeks later.